by Michael Cunningham
Not sure why I had a copy of this on my TBR shelf. But just now it appealed to me, and I read the book within a few days.
The chapters switch between three different stories, about three women. The leitmotif is Virginia Woolf – the subject of one of the threads. Chapters are entitles Mrs Dalloway, Mrs Woolf, Mrs Brown. The character who is nicknamed “Mrs Dalloway” by her lifelong friend Richard, has the forename Clarissa. Her story reads like a modern-day, New York retelling of Mrs Dalloway. Indeed it is quite gratifying to read the Greenwich Village version of Clarissa going out to buy flowers, reflecting on her present and past relationships. Richard (who bears the name of Clarissa Dalloway’s husband in the novel) is dying of HIV Aids. Clarissa herself is in a long-term lesbian relationship with Sally (the name of the earlier Mrs Dalloway’s girlhood friend). She is about to throw a party for Richard, to celebrate his receiving an award later that same evening.
Mrs Woolf’s story also takes place within a single day, when we see her waking up feeling less ill than she sometimes does, sitting down to write, having tea with her sister and children and then going out for a walk during which we see her on the brink of some irrational and possibly irreversible action. The reader knows about Woolf’s eventual suicide, but this scene is dispatched in the prologue and does not clutter the story of the living, breathing Virginia.
Laura Brown is something of an enigma, at least at first. She is what one may assume to be a typical LA housewife in the immediate post-WW2 years. Pregnant, caring for a three-year-old, keeping house and preparing for her husband’s birthday dinner, it is hard to see any resemblance between this woman and the metropolitan Virginia and Clarissa characters of the other two stories. But Laura’s inner life revolves around her reading of Mrs Dalloway, and she goes so far as to sneak out of her ordinary suburban life to snatch a couple of hours alone with the book. This somewhat bizarre behaviour hints at the attempted suicide in her later life – though we only learn of this indirectly. Laura’s connection modern-day Clarissa’s story is revealed in the final chapter (and I will not include any spoilers here).
Suffice to say that I found this a satisfying, well-written and taut novel. It has made me want to re-read Mrs Dalloway, which I loved when I first read it just over six years ago, and to see the 2001 film of The Hours.
I think this could be a book group recommendation – and will add it to my list.